We propose to carry out an audiovisual task in order to give an account of the generational conditions behind the phenomenon known as `New Basque Sculpture´. On this occasion we are referring to the group of artists that shared a studio on the Uribitarte dock in Bilbao in the early 80s: Txomin Badiola, Angel Bados, María Luisa Fernández and Juan Luis Moraza (of the Art Vigilance Committee) and Pello Irazu.
Bilbao, 1979. Musician, philosophy graduate and Doctor of Fine Arts. His research work demonstrates his interest in generating methodologies that favour the transmission of the specificity of art. In connection with these objectives he writes in various media, carries out audiovisual projects and undertakes teaching work. He also combines these tasks with musical composition and performance.